Tag Archives: copyright

Fox paranoia over intellectual property prompts cell phone ban at our film festival. (Plus a review of the film.)

We went to see The East tonight at the Minneapolis St. Paul International Film Festival.

Someone is attacking big corporate CEOs and forcing them to consume the harmful products they manufacture. An elite private intelligence firm is called into action and contracts ex-FBI agent Sarah Moss to infiltrate a mysterious anarchist collective, The East, suspected to be responsible.

This was a preview showing for distributors Fox Searchlight Pictures and they were very paranoid of cellphone video recordings. So they had security at the doors and officially you could not bring a cellphone in to the showing. In addition, one of the security guys announced at the beginning of the film that there were other security types in the projector booth with night vision goggles. Given the nature of the movie, it’s possible this was a marketing ploy but the crowd was not happy and one gentleman stood and said he found the treatment offensive. Another asked if there was a SWAT team in the lobby.

By studio request, camera phones and any recording devices will not be allowed in the screening of The East. You will not be allowed into the theatre while carrying a camera phone. Please leave your cell phone in your car. A secure cell phone check will also be available at the theatre door. We greatly appreciate your cooperation!

Whether marketing or true paranoia, the movie just isn’t that good. The trailer below highlights the best scenes but plot believability falls apart quickly. Movies with agents and infiltrators need to be tight and at least 90% believable. I can forgive some plot shortcuts but this one just kept them coming. Sarah in handcuffs is able to pick the locks and escape but the anarchist guy doesn’t notice. Anarchist guy just happens to know which fence section Sarah will be scaling to escape. After being taken in by the anarchists, Sarah spys on their late night ceremony, gets caught, and convinces her captor to not tell the rest of the group. Huh?

If you like tight spy thrillers, wait until this one gets to Netflix streaming. If spy and action films aren’t your regular fare, you might be OK with this one. My partner really liked it but she would never see a Bourne movie (or even Bond for that matter).

Advertisements

Viacom vs. YouTube

Google and Viacom (owner of MTV, BET, Paramount, and more) are fighting it out in court with Viacom contending that Google is no longer a “safe harbor” under the 1998 Digital Millennium Copyright Act and must do more to ferret out and remove copyrighted material — like Viacom’s. Viacom is supporting its case with some old emails supposedly proving that Google relaxed its copyright policies after its 2006 YouTube purchase and that it knew very well that YouTube was a pirate haven of illegal video goods. Let’s not forget to mention the “sour grapes” component here: Viacom wanted to buy YouTube too and Google beat them out.

Whatever Google authorized in the past, in recent times they have added content ID tools to help companies identify and find pirated content on YouTube. They’ve done this to such a degree that they’ve fallen somewhat afoul of the Electronic Frontier Foundation.

One issue that has surfaced is Viacom “continuously and secretly” uploading its own stuff to YouTube (self-pirating?). (Viacom disputes this and claims it only happened a few times.) From the YouTube blog:

For years, Viacom continuously and secretly uploaded its content to YouTube, even while publicly complaining about its presence there. It hired no fewer than 18 different marketing agencies to upload its content to the site. It deliberately “roughed up” the videos to make them look stolen or leaked. It opened YouTube accounts using phony email addresses. It even sent employees to Kinko’s to upload clips from computers that couldn’t be traced to Viacom. And in an effort to promote its own shows, as a matter of company policy Viacom routinely left up clips from shows that had been uploaded to YouTube by ordinary users. Executives as high up as the president of Comedy Central and the head of MTV Networks felt “very strongly” that clips from shows like The Daily Show and The Colbert Report should remain on YouTube.

The Law Librarian Blog has a nice summary of points around these issues and links to articles in the last paragraph. Although I agree with Law Librarian that “neither party to the suit has any lock on legal or moral purity,” if I had to choose a side to cheer, it would be Google. Although both companies are looking at revenues and bottom lines, Viacom is trying to control content distribution in a media market that arguably should be moved towards more sharing. YouTube on the other hand may not be perfect but it is involved in sharing content globally at no direct cost to producers. For me, that’s very much a move in the right direction.